Articles

How to fake the kick and make the metres on exits Posted almost 5 years ago

Photo: The Rugby Site

How to fake the kick and make the metres on exits

One of the besetting problems in professional rugby is how best to get out of your own half, what is now known as ‘exit strategy’. With ball-retention rates now regularly topping 95%, if you cannot get out of your own end emphatically enough, you will very soon find yourself back in your own half, still on defence.

Typically, exit strategy involves the use of the kick, because the boot is the easiest way to move the ball upfield and relieve the pressure. However, a good defensive team will load their backfield in order to make the expected kick a much less attractive option.

If they expect you to kick long, they may drop three or four players into their backfield to return the kick with interest. If you kick high and short, they can rotate towards the side-line and block the chasing lanes.

Increasingly, exiting teams are looking for more subtle ways of finding space, to make their exits really count. The opening weekend of the Six Nations tournament in the Northern Hemisphere, and Super Rugby in the South, both provided some excellent examples of what those methods might be.

One of the most common methods of exiting from your own territory is via the so-called ‘box kick’ off the number 9. This form of exit is generally low-risk, because the ball is kicked high and parallel to the side-line, and lands where the chase is likely to be at its hardest, and at its most dense.

The problem with the box-kick is that the ball does not tend to go very far, between 20 and 30 metres. If the opposition can secure the ball, they will generally find themselves in good field position, somewhere in between your 22m line and halfway.

There were a number of examples over the weekend of exiting teams ‘showing’ one exit and then delivering another – constructing what looked for the all the world like a box-kicking scenario off their number 9, only to shift the play sharply towards the other side of the field.

Let’s take a look at some of the detail, and how the mechanics of the ‘fake exit off 9’ work. The first example comes from the Super Rugby match between the Blues and the Chiefs:

View it here

The Blues number 9 ‘shows the fake’ by calling in two forwards to the ruck in order to form a protective shell on his right side, a ‘caterpillar’ from which he will be able to launch the kick without interference from the defence.

At 24:53, he suddenly switches his foot positioning and passes out to the opposite side. At the key moment, the Blues have exactly the exit scenario they want:

The last Chiefs defender is still well inside the far 15 metre line, and he only has two forwards underneath him for company. Therefore, there is no pressure on the ball, and the Blues have two extra players in the wide channel out towards the left side-line. One accurate pass is all it takes to get the ball outside, and final kick finds touch only ten metres from the Chiefs’ goal-line.

Instead of the expected 20-30 metre gain off an orthodox box-kick, the Blues have gained 60 metres and it is now they who are applying the pressure.

The theme was repeated in the opening game of the Six Nations on Saturday afternoon, played between Wales and Italy.

View it here

Here the start point is a lineout drive rather than a ruck. The ball has been held in the maul for at least 10 seconds before replacement scrum-half Rhys Webb decides to play it. Once again, the halfback’s feet have been pointing towards the near touch-line, shaping for the box-kick along it.

When Webb changes direction and passes out towards his left, there is a big change not only of direction, but also of tempo in play. The screenshot shows that the Italian defence is struggling to come to terms with that sudden shift:

Wales only have to make simple passes along the line, with the Azzurri defenders committed to drifting across field. There will be no defensive rush, and no pressure on the ball.

The Welsh left wing Josh Adams is able to take play well across halfway, and Wales are still on the front foot and in possession of the ball at the end of the phase.

The final example, from Sundays’ game between France and England in Paris, is perhaps the most revealing of all, because of the ‘bird’s eye’ view granted by the overhead camera:

View it here

The position is much further upfield (on the French side of halfway), but the England scrum-half Ben Youngs is again shaping for a high kick from the base of a long ‘caterpillar’ ruck.

With the benefit of the overhead camera, it is easier to see what impact Youngs’ set-up has on the movements of the French backfield:

The French number 8 is dropping back to receive the expected high kick, while the final France defender on the far side is already rotating towards the middle of the field.

For a moment, space has been created for long diagonal kick by England number 10 George Ford, and he exploits the opportunity by finding touch only a few metres from the France goal-line.

A little subtlety and attention to detail goes a very long way! Instead of kicking the ball automatically, the Blues, Wales and England all found ways to create space for their kicking or passing games on the ‘wrong’ side of the field, and the success of the initial deception meant they were under little or no pressure while the process was underway.

The Rugby site is the only online coaching resource to offer a truly global perspective, subscribe for 12 months – now at a lower price point.

Enter your email address to continue reading

We frequently post interesting articles and comment from our world class content providers so please provide us with your email address and we will notify you when new articles are available.

We'll also get in touch with various news and updates that we think will interest you. We promise to not spam, sell, or otherwise abuse your address (you can unsubscribe at any time).

See all Attack videos

Comments

comments powered by Disqus

Nick has worked as a rugby analyst and advisor to Graham Henry (1999-2002), Mike Ruddock (2004-2006) and latterly Stuart Lancaster (2011-2015). He also worked on the 2001 British & Irish Lions tour to Australia and produced his first rugby book with Graham Henry at the end of the tour. Since then, three more rugby books have followed, all of which of have either been nominated for, or won national sports book awards. The latest is a biography of Phil Larder, the first top Rugby League coach to successfully transfer over to Union. It is entitled “The Iron Curtain”. Nick has also written or contributed to four other books on literature and psychology. "He is currently writing articles for The Roar and The Rugby Site, and working as a strategy consultant to Stuart Lancaster and the Leinster coaching staff for their European matches."

Comments
Topic Attack
Applicable to Coaches   Players   Others   Supporters and fans  

Related articles

Why more access to the high ball makes for a better game of rugby

Removing the ‘glove defence’ results in a much cleaner and quicker development of the play, as evidenced by Nick Bishop in this week’s analysis.

How to shuffle the deck close to the goal-line

Analyst Nick Bishop illustrates how the ‘use it or lose it’ mindset now applied (under the new law), to “The ball is played or taken into in-goal by an attacking player and is then held up”, is promoting more attacking innovation.

How to exploit the ELV on defensive scrum-halves [from scrum] – part 2

Nick follows on from his earlier article on how the scrum has now became a favourite weapon of attack and the short-side was the red-hot area target zone.

Why the ‘Dupont’s Law’ change really makes a difference

The ‘Dupont’ law tweaks have already had a concrete impact on the value of the kick return, one which totally belies the relatively small scope of the word ‘tweak’ as Nick Bishop illustrates.

How to build your lineout drive attack in the ‘red zone’

Get creative with your limitations, to turn them into a strength appears yo be Rassie Erasmus’ Springboks mantra as Nick Bishop illustrates.